Contralto. Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events. [3] In fact, a similar approach has worked pretty well for Gardiner and his Bach Pilgrimage Cantata recording project on SDG. I occasionally work with musicians, orchestras, and record labels on questions of repertoire and I am particularly interested in how to retain classical music as a living art form, not mere museum art. David Portillo, Tenor. J.S. [2] All three land around the 1 hour and 42 minutes mark. Find recording details and track inforamtion for Mass in B minor, for soloists,… - Johann Sebastian Bach on AllMusic Event Description. In the process, the HIP conductors have changed the way people tend to hear the work. Program notes on the B Minor Mass by Douglas Bush In 1817 the Swiss critic Hans-Georg Naegeli praised BachÍs Mass in B Minor as "the greatest work of music in all ages and of all people." My favorite Mass in B-Minor is having the choice among so many wonderful and different recordings. Find recording details and track inforamtion for Mass in B minor, for soloists,… - Johann Sebastian Bach on AllMusic Bach’s most monumental work is the cornerstone and grand finale of the 2019 St. Louis Bach Festival. T1 - Bach - Mass in B minor. And yet here it does. Gardiner revisits the work, some thirty years after his initial recording for Deutsche Grammophon Archiv. It’s also the culmination of one man’s great life of musical creativity, and a great personal statement of faith. Female vocals. Even without stage machinery or sets, The English Concert’s performance of Handel’s. It’s also the culmination of one man’s great life of musical creativity, and a great personal statement of faith. His first solo, the Qui sedes, filled the hall with a rich, creamy and very masculine sound, that avoided all the pitfalls of countertenor singing, for he was never shrill or piercing. When it was released in 2003, it made the ears flap in the wind and it was considered a wild, very alternative choice. The new performance is on Gardiner's own Soli Deo Gloria label, and again features the conductor's Monteverdi Choir and English Baroque Soloists. Bicket obviously wanted to give us a moment of silence at the end, which would have been nice, but the audience were having none of it, erupting into enthusiastic applause almost before the last note finished. Guest lecturer Daniel R. Melamed, “Performing Bach’s Mass in B Minor in an Age of Choices.” Tuesday, March 19, 7:30 p.m. Duesenberg Recital Hall Free admission Daniel R. Melamed is the author of “Hearing Bach’s passions,” and “J. Bach B Minor Mass - in Latin Userguide indexed for - Editions - Bärenreiter (2003), Peters Performance Recording. Professional altos often have warm, deep voices. Male vocals. And boy did it sound fast! Sampson and fellow soprano Joélle Harvey (making her Proms debut) blended beautifully in the Christe eleison duet, both voices light and clear, although I did struggle to hear them, even from the stalls. Margaret Balfour. Search this record. If 18-Year-Olds Can Fight For Their Country, They Should Be Able To Smoke A Cigarette. There are a few recent recordings of the B-minor Mass that have not come across my desk yet – Jonathan Cohen’s on hyperion, John Eliot Gardiner’s new recording on Soli Deo Gloria, Herreweghe III, Mortensen (on CPO) – and several that have… and with that caveat dangling, the St. Gallen Foundation’s recording is ascending to the top of my heap of B-Minor Masses. Wednesday's B minor Mass revealed much the same combination of strengths and weaknesses that have accompanied previous realizations of Bach's religious music given at this venue under his direction. If you would like to see a copy of Bach’s own manuscript of the Mass in B Minor click here. Pooping Less Frequently To Save The Planet? Location: Mission, KS. I love the cantata recordings of the outfit, and extolled the virtues of their ongoing effort to record them all in a Forbes CD of the Week pick, using Volume 13 as an example. The book also traces the history of the work after Bach's death, addresses specific issues of performance practice, and investigates the qualities that give the B-Minor Mass its universal appeal. PROGRAM NOTES. She lives in Durham and runs a local music listings, news and reviews site. He puts in his usual, impeccable contribution. AB - Bach, JS - Mass in B minor. This DVD has a picture format of NTSC color shot full-screen 4:3 with a region code of 0 worldwide. Posted by Southern Sinfonia at From the fluid opening to the touching end, this interpretation had me in its thrall all along, whistling, singing, and air-conducting along with joyous vigor. Bach, who performed the Credo alone (but with his own introduction and elaborations) toward the end of his own life in 1786. Orchestra. His second solo, Et in spiritum sanctum, was better than the earlier Quonium tu solus sanctus, perhaps as he settled into the Albert Hall’s vast space. Insights into the great Mass in B Minor were provided in thoughtful and detailed program notes written by Jennifer More. Tenor. Previous. Bach’s Mass in B minor was described by its first publisher as “the greatest musical work of art of all times and nations”. “By all accounts the chorus remains as vital an institution as ever…The B-Minor Mass performance was rousing, committed and touching…Bach’s ‘St. …was, for many years, Konrad Junghänel’s with the Cantus Cölln, on Harmonia Mundi[1]. At various times I have worked with the CATO Institute, written for the Washington Post, contributed to Washington's Public Radio Station, and sold classical music at…. Palau de la Música, Barcelona. Though some may wish to qualify NaegeliÍs statement, the Mass is one of the greatest monuments in western art music. off Karl Richter’s benchmark 1962 account (Archiv) and six and eight minutes respectively the classic HIP recordings of John Eliot Gardiner’s (1985, Archiv - a classic) and Philippe Herreweghe’s second reading from 1996 (Harmonia Mundi). Concert. Seattle Symphony and Chorale’s performance of Bach’s ‘Mass in B Minor’ is gratifyingly good March 15, 2019 at 1:25 pm Updated March 15, 2019 at 2:14 pm Above all, it is highly communicative – even if your Latin is as remote in your educational history as it is in mine. Could A ‘Morality Pill’ Help Stop The Covid-19 Pandemic? (Some of) The Best B Minor Mass Recordings Ever... Ok, so we've definitely missed some (the Harnoncourt and Leonhardt ones to name but a few), but we've been having a think about the best recordings of Bach's B Minor Mass and here are some of our suggestions: Keith Falkner. This new version of the "Mass in B Minor" doesn't disappoint. The first complete performance of the B Minor Mass in the USA was given in Bethlehem, Pennsylvania, by The Bach Choir of Bethlehem, under the direction of its founder, Dr. J. Fred Wolle, in 1900. The first complete rendition, albeit of separate sections spread out over several years, is thought to have begun in 1811 by the Berlin Singakademie. The fashion for reviving Mozart's teenage operas brings a vocally dazzling production of, Keeping music live, whatever it takes: Kings Place's Helen Wallace, Climbing a choral mountain: David Hayes of NYChoral interviewed, An Enduring Voice: The Sixteen's 40th anniversary choral pilgrimage reaches Durham, Royal Northern Sinfonia’s central European romance, Royal Northern Sinfonia struggles to find its Russian soul, Jane Shuttleworth is a choral singer and recorder player, and specialises in Renaissance, baroque and modern music. Herbert von Karajan presented the B Minor Mass at the Salzburg Festival in 1961, and the performance recorded on August 20 of that year for later broadcast was released commercially in Italy in the mid 1980s . ER - His performance of the B Minor Mass is idiosyncratic in it's sound, in his choice of choral voices and in the nature of his interpretation. The solo parts were taken by a quintet of young Baroque specialists, with Carolyn Sampson a late replacement for Malin Christensson. Completed in 1748, with individual parts composed and performed earlier. The Mass in B Minor by Johann Sebastian Bach transcends categories: neither religious nor profane, it is full of fervour, contemplation and emotion; neither Lutheran nor Catholic, it is both, therefore transcending the very principle of ecumenism. This DVD has a picture format of NTSC color shot full-screen 4:3 with a region code of 0 worldwide. And boy did it sound fast! Sigiswald Kuijken (Challenge Classics, 2008) and Jonathan Butt (Linn, 2009), and Herreweghe again (Phi, 2012, his third recording)[2] have since come close, but not quite. The rest – up-and-coming tenor Daniel Johannsen (last reviewed in a St. Matthew Passion with the Vienna Academy Orchestra) and alto Alex Potter – fit in with that aforementioned uniform high standard of performance. Naxos 8.550585-6 Rehearsal and performance schedule . A wonderful question which, I’d argue, admits of no single answer. All Rights Reserved, This is a BETA experience. Bach composed his Mass in B minor around 1748–49, a year before his death in 1750. The first complete rendition, albeit of separate sections spread out over several years, is thought to have begun in 1811 by the Berlin Singakademie. The highlight amid an otherwise uniformly fine performance is the singing of soprano Julia Doyle. The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the Ordinarium missae. Bass Matthew Rose produced a big sound but still managed to sound delightfully nimble in the runs. TY - ADVS. One is used to fast tempos in Bach by now, and the performance of the St. Gallen J.S.Bach Stiftung’s new recording, led by Rudolf Lutz – with neither the reputation to go for breakneck speeds at all costs, nor the subjective feeling that that was the idea – didn’t strike me as rushed, much less record-setting. You may opt-out by. The Mass has also withstood widely varied performance styles. Trinity Lutheran Church. Reviewed at Royal Albert Hall, London on 2 August 2012. 0.1 Introduction: Bach ïs Missa tota The work of a lifetime Bach ïs Mass in B minor (BWV 232) is the synthesis of his life ïs work. EY & Citi On The Importance Of Resilience And Innovation, Impact 50: Investors Seeking Profit — And Pushing For Change, Michigan Economic Development Corporation With Forbes Insights. Scholars differ on whether he ever performed the 1733 Missa. © 2010-2020 Bachtrack Ltd. All rights reserved. This performance also features a talk at 7:15 p.m. by Michael Marissen, Emeritus Professor of Music at Swarthmore College and author of such books as Bach & God. (And if there were an Olympic gold medal for brass trills, it would have been won easily tonight.) 6 tracks (31:18). At various times I have worked with the CATO Institute, written for the Washington Post, contributed to Washington's Public Radio Station, and sold classical music at Tower Records. Soprano . The first documented performance of any portion of the B Minor Mass was by the composer's son C.P.E. Join Music Director Ludovic Morlot and the Seattle Symphony and Chorale on March 14, 16 and 17 to experience Bach’s Mass in B minor. If anything, what is notable about this Mass, despite its timing, is how un-rushed it sounds. Bicket and Davies brought the Agnus Dei to a beautifully quiet close and gave us a tantalisingly long pause before unfurling the powerful Dona nobis pacem chorus that closes the work. Glover presided over a performance that moved seamlessly from big choruses to quiet solos, marshaling her forces with both care and flair. J.S. More info Buy tickets. Margaret Balfour. Bach's Mass in B minor. “It really feels — when you listen to this live — that you become immersed in it. Opinions expressed by Forbes Contributors are their own. The National Chorus. The first documented performance of any portion of the B Minor Mass was by the composer's son C.P.E. Performing edition and direction by PS with Yorkshire Bach Choir and Yorkshire Baroque Soloists in St Michael le Belfrey, York. From the bold opening statement of the Kyrie, the chorus produced a full and well-balanced sound, with sensitivity that allowed the important moments in each part to shine through: the bass statement of the Lutheran plainchant in the Confiteor movement of the Credo rang out, and all parts stepped aside for the lovely first alto lead partway through the Sanctus. There were also some sensitive dynamic contrasts, such as a lovely diminuendo partway through the Gratias agimus tibi, and the woodwind interlude after the first Kyrie was soft and mellow. Concert. Matthew Passion’ too was ardently and lovingly performed…” —New York Times, May 2007 “This is Bach at its finest. In the process, the HIP conductors have changed the way people tend to hear the work. These slow Credo movements that describe Christ being made man and crucified were sung very simply, without any fuss, letting Bach’s gorgeous harmony speak for itself, although at this central moment there was unfortunately a slight loss of diction. A Mini-Festival of concurrent events provides opportunities for immersion in the context of Bach’s artistic masterwork. There were plenty of vocal fireworks in this concert performance of Handel’s opera. Sara Jobin, a Grammy-nominated conductor, will lead us in select sections of the Mass the evening of Saturday, June 18, from 6-8:15 pm. It may be that Bach wished the Mass in B Minor to be regarded as a monument of his skill, for it is a work based much upon his earlier music, which he adapted and refined to meet a sacred purpose. PERFORMING BACH’S MASS IN B MINOR SOME NOTES BY HEINRICH SCHENKER* JAN-PIET KNIJFF The Oster Collection of the New York Public Library contains the major portion of Heinrich Schenker’s Nachlass. Is it my favorite? I will return to listen to it often. His Agnus Dei solo, however, was on another level; his tone and subtle expressivity had me absolutely transfixed. Bach, who performed the Credo alone (but with his own introduction and elaborations) toward the end of his own life in 1786. On Friday, July 1 at 8 pm in Warner Concert Hall, the Oberlin Baroque Performance Institute will close its faculty concerts with a masterwork by a titan of Western culture: J.S. The Mass in B minor was not performed in its entirety in Bach’s lifetime. Wolfgang Osthoff and other scholars have suggested that Bach intended the completed Mass in B minor for performance at the dedication of the new Hofkirche in Dresden, which was begun in 1738 and was nearing completion by the late 1740s. One Type Of Diversity Never Seems To Matter, Don't Use The National Defense Authorization Act To Push Unrelated Financial Regulations. In any case, I am enthralled. BUY TICKETS. Itullian. Nonetheless, it is musical and entertaining. Mass in B Minor (BWV 232) – JS Bach Saturday, March 10 – 8 p.m. St. Anne’s Church, Church Circle. J.S. Location: Mission, KS. BACH’S B MINOR MASS. One of the most profound and astounding spiritual testaments ever composed, Johann Sebastian Bach’s Mass in B minor is the summation of a lifetime of creating music. In the interview in the liner notes he also, ironically but plausibly, pleads a case for moderate tempos. Sir Adrian Boult. Mass in B Minor, BWV 232. It’s the Agnus Dei. Next. BBC Symphony Orchestra. Though some may wish to qualify NaegeliÍs statement, the Mass is one of … Rudolf Lutz crosses the finishing line on the breathless breath (but sounding perfectly at ease) of “dona nobis pacem” after 1:39:45! Mass in B minor (Period Performance) Spire Chamber Ensemble. The fastest B-Minor Mass on record.. …was, for many years, Konrad Junghänel’s with the Cantus Cölln, on Harmonia Mundi. Tenor Ed Lyon was up against the beautifully clear flute section in the Benedictus, and like Rose, he got better as the evening went on, blossoming into a relaxed and silky tone. The world could have ended and I wouldn’t have noticed. When it … His performance of the B Minor Mass is idiosyncratic in it's sound, in his choice of choral voices and in the nature of his interpretation. Access to audio and video recordings is limited to authenticated members of the Juilliard Community. But the charm of the series (much reinforced on strength of volumes 17, 18, and 19 which I have most recently heard and enjoyed) was not that it excelled in every perfectionist way but rather how lively and uninhibited and unpretentious these live performances are. Such an important and well-loved work as this places huge extra demands on performers, and Harry Bicket and the orchestra and choir of The English Concert rose admirably to the challenge with a stellar performance last night at the BBC Proms. Bach conducted the Sanctus, in its first version, at the 1724 Christmas service in Leipzig, and re-used it in Christmas services in the mid-1740s. instruments: Bass (voice type) Choir. But after a few movements where I felt that Lutz was notably nimble and fleet (Gloria, laudamus te, and the first half of the Credo), I thought it might be worth checking. Superbly dramatic, effective far beyond its already considerable beauty, she manages to give that certain bit of je ne sais quoi that makes a voice stand out… she gets the nuances just right, she has a lovely way of building tension and caressing detail. A concert performance of Handel's not-quite-an-opera proves a hit on tour in New York. The Mass in B Minor did not assume its final form until Bach's last years, perhaps by 1748. AU - Del Santo, Jean M. PY - 1990. Included in this collection are documents related to Schenker’s work on Bach’s Mass in B Minor, the most prominent of which is a review of a performance by the Berlin … Rihab Chaieb, Mezzo-soprano. But short of chickening out, I would have hitherto pointed to Jos van Veldhoven’s recording (Challenge Classics, 2006) as the go-to pick. BBC Symphony Orchestra. And still better yet, it’s superbly played and with just the sense of being in the moment that studio recordings (this is one) so rarely contain. Indeed, for all his overall quickness, Lutz manages to be the fastest in only a few of the 27 movements (among my pool of movement-by-movement comparison) and then often by as little as a second. Harry Bicket, conducting and playing harpsichord, took most of the work at a fairly steady speed; this worked well in such a big venue, and allowed us to savour all the details of Bach’s orchestral writing. performance of 'Mass in B minor' (musical performance) Listening experiences: 1550752998958: Performance of: Mass in B minor. To oversimplify matters, let’s begin by pointing out that performance styles have changed in the past century. Frank Titterton. Guest soloists include soprano Sherezade Panthaki, sponsored by Greg and Alayne Smith, mezzo-soprano Meg Bragle, tenor Lawrence Jones and The problem for any bass soloist in a period performance of the B minor Mass is that all eyes and ears are drawn to the natural horn accompaniment of the Quonium, played here by Ursula Paludan Monberg, who produced a crisp and well-controlled sound. The picture appears digitally remastered and is quite clear. I contribute to Listen Magazine and Auditorium and mostly live in Vienna, Austria. T1 - Bach, Mass in B Minor. © 2020 Forbes Media LLC. Y1 - 1990. Lo and behold, we have at our hands, for whatever it’s worth, the fastest recorded B-Minor Mass! My bent is libertarian, my background European, my passion classical music and its economics. Orchestre Métropolitain de Montréal. Contralto. Frank Titterton. When they do sustain high notes, it is an entirely different, more piercing and pure quality, than a soprano can achieve. As so much of Bach’s music does, the Mass’s many moments provide the perfect soundtrack for reflection, revelation, and aspiration, as indispensable now as ever. Title: Juilliard415 and Royal Conservatoire The Hague Baroque Orchestra and Choir ; November 19, 2016. Even before its first complete performance, the Swiss music historian and publisher Hans Georg Nägeli described it as the “greatest musical masterpiece of all times and nations”. Our privacy policy was last updated on Friday 31 January 2020. Really? Concert review. M3 - Performance. The tempi did pick up considerably in the fast fugal choral passages, which sparkled and danced: the semiquaver runs were immaculately smooth; the tricky bass passage on “Et iterum venturus est” was simply heroic; and the Baroque trumpets added extra glitter throughout without ever overpowering the choir. Not that that’s what is impressive or truly noteworthy about the release. The complete B Minor Mass was first heard in Leipzig, Germany, in 1859. Quite the opposite, his interpretation is one of the more organic I know. Now a Grammy®-winning orchestra, Apollo’s Fire proudly presents Bach’s celebratory and exhilarating Mass in B Minor – never before heard on period instruments in Northeast Ohio. What makes little sense on paper reveals itself as logical in the listening: Lutz’ B-Minor Mass never sounds gimmicky or fast-for-speed’s sake. of 2. Johann Sebastian Bach’s Mass in B minor is regarded by many as one of the supreme achievements of Western classical music. Also: I want Klaus Mertens’ life. The penultimate song, it is the most gorgeous alto solo I have ever heard. Drawing on decades of composition, including what he considered to be the most thematically relevant of his great cantatas, Bach created a masterpiece designed to endure for the ages. Juilliard users please authenticate. Bach structured the work in four parts: Missa Symbolum Nicenum Sanctus Osanna, Benedictus, Agnus Dei et Dona nobis pacem The four sections of the … All the more amazing, then, is that overall the Mass is as “dramatic in its effect as it is monumental, contributing to the impression of a work which seems to contain twice the amount of music that its duration would normally allow.”(8) This culmination of the 15-year effort of a man with deep religious and aesthetic convictions also … In three deeply informed chapters, Stauffer considers the individual sections of the Mass--the Kyrie and Gloria, the Credo, and the Sanctus and Agnus Dei. Click the video below to hear a complete performance of the B Minor Mass, given by the English Concert and a stellar team of soloists, led by Harry Bicket. However, the building was not completed until 1751, and Bach's death in July 1750 prevented his Mass from being submitted for use at the dedication. Indeed, the 21 "historically informed performers" (HIP) who have recorded their B Minors join an even larger number of "mainstream" conductors in the record catalog. Female vocals. Bach. Armistice - Fall 2018 HANDEL ORATORIO SERIES The mixed male and female alto line was particularly impressive, with some lovely rich singing low in the register, such as in the first Kyrie and the slower movements of the Credo. The solo instrumental accompaniments to the arias were especially enjoyable, with the solo flutes, oboes, solo violin and horn all taking equal roles with the vocal parts. 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